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The Audiobook Revolution by J.A. Konrath
Gotta Keep on Tryin’ by Virginia DeBerry and Donna Grant




The Audiobook Revolution by J.A. Konrath

J.A. Konrath is the author of the Lt. Jacqueline "Jack" Daniels series. His sixth book, Cherry Bomb, will be released July 7. He also wrote the horror novel Afraid, under the pen name Jack Kilborn. All seven of these books are available on Brilliance Audio.

Let's talk about audiobooks.

I love them, for many, many reasons.

Maybe it goes back to some of my happiest childhood memories, being read to by my parents.

Maybe it's because a good audiobook performer makes a novel come alive in a way that I can't when I'm reading print.

Maybe it's because, as my life becomes increasingly busier, I don't have as much time to read as I'd like to, so audiobooks are a perfect way to enjoy literature while I'm driving, exercising, shopping, doing housework (I'm a stay at home dad), and swimming.

Yeah, I said swimming. I'm one of those geeks who has a waterproof cover for my iPod, so I listen to books at the beach and the pool, often while in the water.

While all of these are good reasons to love audiobooks, I think the biggest one of all is how user-friendly they've become.

Years ago, cassette tapes (remember those?) were the audiobook standard. An unabridged book could take up ten or more tapes, and these were fussy to carry around and keep organized. I was constantly losing my place, putting in the wrong tape or the wrong side, rewinding and fast forwarding.

Then came CDs. An improvement, for sure. With many chapter stops, it was much easier to find where I'd left off. But I still had to juggle ten, sometimes even twenty disks. And the cost was a little prohibitive. I love Dean Koontz, but fifty bucks for a book really put a dent in my entertainment budget.

But that was then, this is now. Audiobookphiles like me are rejoicing in this new age of mp3s and downloads.
You can get all of my audiobooks on mp3—unabridged—for the same cost as a hardcover. Sometimes even cheaper. On Amazon.com, my audiobook mp3s currently range in price from fifteen to twenty-four bucks, and even less if you want to go with the abridged edition. They're also available wherever audiobooks are sold, as well as on www.AudiobookStand.com.

Best of all, my audio mp3s come on a single CD.
How cool is that? No more lugging around multiple disks. The whole book fits nicely on one CD. It has over a hundred chapter stops so you can easily find your place, and pretty much all home and car stereo equipment made since 2003 can play mp3s.

Is one disk still too many?
Then there's the download option. You can go to Audible.com, or iTunes, and download the audiobook on mp3 for a comparable price. Besides the venerable iPod, mp3s can be played on every computer, and hundreds of different kinds of portable players, including most cell phones (yes, your cell phone can play audiobooks), PDAs, and handheld gaming machines like the Sony PSP. Most cars can now play mp3s without the need for the CD—you can simply plug directly into the system.

You also have the option of using the other popular download format, WMA files, for your Zune, computer, and many other devices that play Windows Media Audio. Visit www.Audiobookstanddl.com for more info.

It's a wonderful time to be an audiobook fan. Never before have audiobooks been so plentiful, so easy to use, and so inexpensive.

Since you're here on the Brilliance Audio website, I'm probably already preaching to the converted. But while I have your attention, let me do just a bit of blatant self promotion.

My audiobooks are awesome.
I'm not talking about the actual writing. I mean, I personally think the writing is pretty good, and fans seem to dig it, but I'm admittedly biased.

What I'm referring to is how my audiobooks are produced. The Jack Daniels books are all read by two people—Dick Hill and Suzie Breck. Both are Audie winners (the Oscar equivalent for audiobooks) and they each play different characters on my books, doing multiple voices, making them sound like theater productions done with ensemble casts.

Sometimes I even get to sneak onto the recording set and play a character. I've also been able to add little extras to some of my audiobooks—interviews, short stories read by me, comedy skits—that appear at the end of the narrative as a little bonus.

So a very good case can be made that audiobooks are the way to go if you want to enjoy J.A. Konrath or Jack Kilborn.

A word about Kilborn. While my Jack Daniels novels have some scary parts in them, those scares are balanced with a lot of humor.
Afraid, by Jack Kilborn, has no humor. It's a scare machine, read macabrely by Phil Gigante.

Because of this, I have to state that I can't be held liable for any heart attacks, nightmares, or therapy you'll need after listening to Afraid.

If you do feel you're brave enough to listen to Afraid, please do not do so while you're alone, or at night, or with the lights out, or while operating heavy machinery. You have been warned.

Now if you'll excuse me, I've been writing all day, so I'm going to hop into the shower. I think I'll take Dean Koontz with me.

I hope Dean doesn't mind...

You can visit JA at www.JAKonrath.com.




Gotta Keep on Tryin’ by Virginia DeBerry and Donna Grant

Originally posted at TWOMINDSFULL

OUR BRILLIANCE WEEK IN MICHIGAN!: by Virginia DeBerry and Donna Grant

Over the last 26 or so years of friendship, we have spent more hours together than we could possibly count, or remember for that matter. We have spent it in cars, trains, airplanes, offices of varying sizes, hotel rooms (four star and frightful), apartments, houses, a cruise ship—you name it. But two weeks ago, we shared our closest quarters to date. A sound booth that was approximately 6’x6’—and what a great time we had!!

We were in lovely (and we really mean lovely—it would be the picture in the dictionary next to the definition of “small American town”) Grand Haven, Michigan—home to Brilliance Audio to record our new book, Gotta Keep on Tryin’. We’ve wanted to do this for years and it finally happened! Whenever we are asked if our books are on audio (it used to be cassette, now it’s mostly CD, MP3, and download) and we say yes, the next question is always “are you guys reading it?” And we could always feel disappointment when we had to answer “no.” Not that people haven’t enjoyed the actors who have given voice to our characters in their audio versions, it just seemed (based on our very own “market research”—talking to y’all) that our readers wanted to hear our words—in our voices. So come January that’s what you’ll have!

Brilliance, the largest independent publisher of audio books on the planet has recorded both Tryin’ to Sleep in the Bed You Made and Far From the Tree. They were each read by the wonderful Fran Washington, an actor. Most audio books are done by pros—there are even voice over actors who specialize in this field—veritable one person productions with casts of characters at the ready, and primed to bring the author’s words to life—in a timely and efficient way. Sometimes authors who are famous get to record their own books, but it is definitely not the norm, so we are glad our agent convinced our friends at Brilliance to give us a chance. Thank you VS!

In the weeks leading up to the recording session, we had many conversations and emails with our audio editor and our director, about how two of us would actually get the job done. It didn’t seem like a challenge to us—we’ve always done joint readings of our books, treating the story much like a play. So once we’d agreed on the division of characters and narration, we each went through two highlighters (Virginia’s shocking pink, Donna’s bright aquamarine blue) marking our scripts before our Grand Haven Adventure. Donna even did some tune-up voice work with singer, voice-over artist (and friend), Lainie Cook, to learn some technique, and get her pipes in shape. (We’re going to try and post a video of Donna warming up—we’ll see if that works!)

We weren’t exactly nervous on the first day (flying in to Muskegon on a prop plane did sort of make us antsy)—but we will admit to being slightly apprehensive about doing something we’d never done—not that that’s ever stopped us before! Turns out we needn’t have fretted at all. We were whisked from our hotel by our editor, Liz Pearsons and delivered to Brilliance HQ, where we were greeted with a welcome sign (see picture) and met Our Two Lauras. Laura Grafton a/k/a Laura I, our director and Laura Stahl a/k/a Laura II, our engineer, quickly put us at ease—or as much at ease as you can be while being shown to a tiny, dark soundproof room that will be your home for eight hours a day—claustrophobics and those afraid of foam covered walls, beware. Our very first padded cell—probably not our last!

At any rate, we had a ball. We have so much fun together and are so used to timing our conversations, readings, lectures that we are able to anticipate when the other will pause, breathe or swallow. So having it all marked out ahead of time made it so much easier—not that it was easy. Reading aloud, even words you yourself have lovingly crafted and woven into a story, seven hours a day is WORK! Sometimes we definitely got tongue tied and were grateful for take two, but it’s hard to think of anything more satisfying. We brought Pat, Gayle, Marcus, Ramsey and all the rest of the Tryin’ crew to life on the page in 1997. Now we have had the opportunity, not only to bring them back to the page in Gotta Keep on Tryin’, we were actually able to vivify them—give them breath, anger, anxiety, sadness and laughter.

We finished a day early!! Got “good jobs” all around. Now the post-production wizards are at work, adding music, sound effects and finishing touches. In the weeks to come we will have a sneak-preview to post!



Brilliance Audio, Inc., 1704 Eaton Drive, Grand Haven, Michigan 49417 Phone: 616.846.5256 Fax: 616.846.0630